Let’s just say that by then he had ventured far beyond the slipstream, and well past the viaducts of your dream.

On the cover of Astral Weeks, Van resembles a wood nymph in the midst of an intense religious experience on the cover of No Guru, he looks like a no-nonsense English professor at an exclusive East Coast liberal arts college, or a no-nonsense TV detective portrayed by no-nonsense character actor Bill Camp. If you only know Van Morrison from Astral Weeks, the juxtaposition might be startling. No Guru, No Method, No Teacher came out in 1986, 18 years after Morrison’s magnum opus, and about two months shy of his 41st birthday. Van Morrison’s ‘Astral Weeks’ Is 50, but It Never Ages Instead, let’s talk about No Guru, No Method, No Teacher. Can anyone in 2018 queue up “Madame George” for the first time and just hear a song, and not every thinkpiece ever written about it? Astral Weeks might very well be Van Morrison’s most essential LP, but it’s a problematic entry point. Given the album’s elevated position in the rock canon, it can be difficult to find your own place in Astral Weeks, to discern it with a personal filter rather than via the plaudits of celebrated rock critics. Van Morrison’s next record, 1970’s Moondance, is far more popular if you were sexually active in the late 20th century, Van Morrison likely howled “I wanna rock your Gypsy soul!” at least once during an intimate moment. A masterpiece.īut you’ve probably heard people talk about how great Astral Weeks is more than the album itself. A landmark in the fusion of rock and jazz. Both would agree that Astral Weeks is one of the best 47-minute pieces of music ever created. Lester Bangs, in perhaps the greatest piece of rock criticism ever written, poetically referred to the 1968 Van Morrison album as a “beacon, a light on the far shores of the murk.” Greil Marcus, less poetically, called it “ a profoundly intellectual album,” and meant it as a compliment.

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